Vocal Intensity Processor
The Fast Path to Great Vocals!
Introduction
The Harrison Vocal Intensity Processor (VIP) is a vocal processing plugin that offers a quick and easy way to enhance the quality of vocals or spoken voice. It can be used for editing audio recordings or for processing signals in real time.
Whether you are singing, rapping, podcasting, or streaming you need a tool that can quickly make your vocals sound amazing. The Vocal Intensity Processor from Harrison is a powerful plugin that lets you polish your vocals with some of the best features once only found in Harrison’s legacy of analog consoles.
Smooth out the dynamics of your vocal track with an extremely easy to use Vocal Leveler. No more fiddling with complex compressors or gates. Just dial in the amount of leveling you want and let the plugin do the rest.
Also you can attenuate any unwanted frequencies with the iconic 32C High and Low-Pass Filters. Visualize how your vocal sounds before and after filtering with an RTA that clearly shows the spectrum of the signal.
Keep your vocal level consistent with the K-12 output meter and prevent distortion or clipping with a built-in limiter. This meter helps you achieve a balanced and professional mix that sounds great on any system. You can also switch between different metering modes to suit your needs.
The Vocal Intensity Processor is the ultimate vocal enhancer for any genre or style.
The Harrison Vocal Intensity Processor contains the following elements:
- A Leveler for controlling the dynamic range of the audio signal
- 32C High and Low-Pass Filters for cleaning up any unwanted frequencies
- An RTA with pre and post filter displays for visualizing the spectral characteristics of the processed signal
- Bump and Bright switches
- A K-12 Output Meter that displays the level of overall output and helps keep the signal within the target range.
- A built-in limiter with gain reduction meter that prevents the output signal from clipping.
Plugin Specifications
Supported formats: AAX, VST, VST3, AU
Supported channel configurations: Mono, Stereo
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Leveler
The Intensity knob controls the overall input level to the plugin. The Intensity level feeds the Leveler which is a compressor with a fixed -24 dB threshold and a very low ratio. Increasing the Intensity level will drive the Leveler harder and cause more compression to occur. The vertical meter to the right of the Intensity knob shows the level of gain reduction in dB. Use the K-12 Output Meter to determine the appropriate Intensity level to stay within the target range.
K-12 Output Meter
The K-12 Output Meter is a “VU-style” meter that shows the average level of the output signal with a -12 dB reference level. This means that the 0 marker on the meter equals -12 dBFS. It is set up this way because -12 dBFS is generally a good target level for podcasts and other forms of spoken voice media, so it’s a good idea to keep your average signal within the “green” zone below the 0 marker.
Filters
The High and Low-Pass Filters are based on the renowned Harrison 32C channel strip filters and can be used to shape the spectral characteristics of the processed signal. Use the HP Freq and LP Freq knobs to adjust the corner frequencies of the filters.
The BUMP button adds a subtle gain boost at the corner frequency of the HP Filter. This allows you to add a low-end boost at the selected frequency while filtering out the frequencies below it.
The BRIGHT button adds a high shelf boost to brighten up the high-end of the processed signal. Use the LP Filter in conjunction with this to tame any harsh high frequencies at the very top of the register.
RTA Display
The graph at the top of the plugin is the RTA Display which shows a visual representation of the spectral characteristics of the processed signal. Use the RTA IN button below the display to toggle the RTA on or off. When activated, the RTA shows the pre and post filter readings overlayed on top of each other. The pre-filter analyzer shows the signal before any spectral processing in dark-gray while the post-filter analyzer shows the signal after spectral processing in a lighter gray color.
Limiter
The Harrison Vocal Intensity Processor has a limiter built-in at the final output stage to prevent clipping. The limiter has a fixed threshold of -1.5 dB so the output signal will never exceed that level no matter how high the Intensity is set.
Routing Order
The internal routing order between elements is as follows:
- Leveler
- Pre-Filter Spectrum Analyzer
- Filters
- Post-Filter Spectrum Analyzer
- Limiter
- K-12 Output Meter
Additional Features
At the top-right corner of the plugin window are the Momentary Bypass and Settings buttons.
Momentary Bypass
The Momentary Bypass button bypasses the plugin for as long as it's held. This is useful for auditioning A/B comparisons quickly.
Settings
The Settings button reveals a pop-up menu where the window size can be adjusted. It also contains a link to the plugin manual and version info at the bottom.
Control Behaviors & Shortcuts
Various mouse & keyboard shortcuts can be used to perform certain actions on the following controls:
Sliders/Knobs
Action | Shortcut |
Reset to default |
Double-click Alt-click |
Fine adjust |
Shift-click & drag Control-click & drag Command-click & drag (OSX only) |
Adjust value | Scroll mouse wheel |
Labels
Action | Shortcut |
Reset to default | Alt-click |
Fine adjust |
Shift-click & drag Control-click & drag (Windows only) Command-click & drag (OSX only) |
Adjust value | Scroll mouse wheel |
Close editor (discarding changes) | ESC |
Close editor (submitting changes) | Enter |
Combo Boxes (Drop-down menus)
Action | Shortcut |
Reset to default | Alt-click |
Scroll through menu items without opening menu | Scroll mouse wheel |
Select next/previous item (menu must already be open) | Keyboard arrows |
Close menu (if open) | ESC |
Band Controls
Action | Shortcut |
Reset Gain/Depth to default | Double-click |
Reset Frequency, Gain and Q to default | Alt-click |
Adjust Q |
Right-click & drag Shift-click & drag |
Temporarily set to Search mode (for EQ) or solo band (For Dynamics) | Control-click |
Fine adjust Frequency and Gain | Command-click & drag (OSX Only) |
Action varies per plugin | Scroll mouse wheel |
Graph Rulers
Action | Shortcut |
Reset Pan & Zoom or Trim |
Double-click Alt-click |
Fine adjust Pan or Trim |
Shift + Left-click & drag Control + Left-click & drag (Windows only) Command + Left-click & drag (OSX only) |
Fine adjust Zoom |
Shift + Right-click & drag Control + Right-click & drag (Windows only) Command + Right-click & drag (OSX only) |
Adjust Pan | Scroll mouse wheel |
Adjust Zoom | Shift + Scroll mouse wheel |
System Requirements
Your system must meet the following requirements in order to run Harrison plugins:
- Windows 7 or higher
- Mac OS 10.9 or higher
- Linux GCC 5 compatible systems
- OpenGL 3.2 or higher
- libcurl-gnutls on Linux
macOS M1/ARM Support: This plug-in is provided as a universal binary for macOS and features native M1 support.
Note for Pro Tools users: Pro Tools 11 or higher is required on Mac, 10.3.5 or higher is required on Windows.
Additional requirements on Windows
Harrison plugins require the “Windows C++ Universal Runtime” to be installed on your computer. Universal runtime is part of the system’s core libraries on Windows 10. On Windows versions Vista to 8.1, it will be automatically installed via Windows Update. It is also possible to install the runtime manually, but that is outside the scope of this manual.
Note for Linux Users
If you’re experiencing issues with the plugin’s graphics or the GUI isn’t showing up correctly on Linux, make sure your system’s graphics driver supports the minimum required OpenGL version of 3.2 or higher. To check this, run glxinfo | grep Max in a terminal window and make sure that the value listed for the OpenGL core profile version string is at least 3.2 or greater.
If your core profile version meets this requirement but you are still experiencing graphics issues like the ones mentioned above, it is likely that your system is reporting an OpenGL version lower than 3.2 to ensure backwards compatibility with deprecated OpenGL functions. To work around this, you can force the system to report an OpenGL version of 3.2 or higher by setting this environment variable: MESA_GL_VERSION_OVERRIDE=3.2
You can use this as a prefix when opening your DAW from a terminal command like so:
MESA_GL_VERSION_OVERRIDE=3.2 {command_to_launch_program}
This will set the environment variable for that particular terminal session only, so it will be reset once the session is ended. If you don’t want to run this command every time you launch your DAW, you can set the environment variable in your profile script so that it automatically gets set every time you login.
Installation & Licensing
Licensing on macOS & Windows
This plugin is licensed through iLok on macOS and Windows. Visit iLok, Licensing and Activation for guidance on activating your Harrison plug-in.
Licensing on Linux
This product includes software developed by the OpenSSL Project for use in the OpenSSL Toolkit (http://www.openssl.org/)
In DEMO mode, after using the plugin for a certain amount of time, it will display a message:
This message will come up periodically unless a license is provided. You can purchase a license directly from Harrison’s web store or from an authorized plugin reseller. Once you’ve purchased a license, install it by entering your license key into the designated field on this screen. Continue to the next section for detailed instructions on how to obtain your license key.
Obtaining your License Key
After you purchase a license, you will receive a license key that will look something like this:
{your name}*AVA-BF*DC-138971-151520-1|gGLbnvCZJe386ULohzfQN6cIsoZ71n7c+AUg==|
This license key is required to install your license and activate the full version of the plugin. The way to obtain your license key varies depending on where you purchased the license from.
If you purchased the license from Harrison’s web store, you will receive an email with a link to download a text file containing your license key. If you purchased the license from a reseller, you will receive an email containing the license key text.
Licensing your Plugin
When prompted by the plugin, copy and paste your license key into the designated text input field. This will automatically install your license and register it with the plugin.
Once installed, Harrison’s license files are simple text (.txt) files which are stored in the user’s HOME folder. The HOME folder is the folder that contains your Desktop, Downloads and other folders. The location of your HOME folder is different for each operating system:
- Linux: /home/{your username}
You may keep a copy of this file for your own use. The license is a per-user license and you may install the license file on all of your computers. To install the file on a new computer, simply save the file to a USB key or other transferable disk; then transfer the license file to the new computer’s HOME folder. The license file has your name encrypted in it, so you should not share it with other people. Your name will appear on the top of the plugin’s control panel to indicate that it is licensed to you.
The plugin will automatically detect your license key as long as the license file is stored in the HOME folder of the computer you are using. After transferring the license file to a new computer, it may be necessary to close and re-open your DAW in order for the plugin to detect the license.
If you don’t want to keep your license in your HOME folder for whatever reason, you may also store it in the following alternative location: ~/.config/harrisonconsoles
Finding the plugin in your DAW
DAW operations vary tremendously. Generally speaking, to use the plugin you must follow these steps:
- Install the plugins, using the provided plugin installer application.
- Follow your DAW’s instructions to “scan” for new plugins.
Please refer to your DAW manual to see which plugin formats (AAX, AU, VST, or VST3) are supported by your workstation.
Most plugin formats require that plugins are installed to a specific location on the system. In these cases, the installer will place the plugins in the default locations.
For VST format, on Windows, it is normally expected that the user defines the location of VST plugins, and tells the workstation where to find the plugins. The default location for VST plugins is C:\Program Files\Steinberg\VST. The plugin installer will save the VST (.dll) files to that location if a custom VST path is not provided by the OS. If you are having trouble, you should verify that the path is included in your DAW VST scan paths.
Thank you for purchasing this Harrison plugin!
Harrison has been making products for the audio engineering industry since 1975. We continue to make these products, with intense dedication, from our Nashville, Tennessee factory.
As the audio industry has changed through the decades, Harrison has too. Originally launched to provide mixing consoles for music recording studios, the Harrison brand has extended to provide products for live broadcast, live sound, theater installations, post-production, film dubbing stages, and bedroom studios. We’ve lived through the launch of the commercial music industry, the maturation of analog, the digital revolution, the establishment of the internet, and now the acceptance of computers as the de-facto platform for the audio industry. In our pursuit of audio excellence, we’ve developed our own analog circuits, digital I/O solutions, digital DSP engines, control surfaces, audio workstations, and nearly every aspect of pro-audio technology.
“If you asked a hundred engineers, mixers and producers to define the “perfect console” you would probably get a hundred answers. The answers, however, would all contain the same salient points.”
“The “perfect console” would have totally transparent sound, capturing the true musical quality of all performances. It would have unlimited features, facilities, and functions. It would perform all required tasks with a minimum of operator effort. It would be totally reliable and require no preventive or corrective maintenance…
You can spend the rest of your life looking for the “perfect console”. You’ll never find it. You will find, however, that we have what you need.”- quote attributed to Dave Harrison; Harrison MR20 brochure; circa 1982
True-er words were never spoken; indeed every year there are many products and technologies that seem tantalizingly necessary for audio excellence. Our lasting experience has proven that simple, straightforward, well-engineered, and great-sounding tools are the only necessity.
These plugins represent the pinnacle of Harrison’s engineering practices for digital audio sound & workflow. We sincerely hope that you enjoy using these tools as much as we enjoyed creating them. Your continued support is greatly appreciated!